Collections, stress, music and high fidelity
Tuesday 'evening tidying my record collection.
I often do in times of stress
emotional. Some see it as a way
stupid to spend an evening, I am not one of
quelli.Questa and 'my life and it' s nice wallow
in the middle of it, diving into her arms, touching her.
(Nick Hornby's High Fidelity ')
Never has a song book and a 'was more' suitable to describe me ... in fact a bit throughout the novel, I read it from start to finish laughing 'cause I really found myself in the thoughts of the protagonist and his relationship with music. And ok, then the period of emotional stress, invariably I start with my hands in my records for ricatalogarli or try to do it. Considering that I have something like 5 thousand cd that colonize most of my house, the firm and 'difficult.

This time I'm trying the electronic cataloging, automated inserting the CD into the player with new software, which seems quite promising as long as I have the patience to finish inserting the cd player. However, doing this work that engages me and makes me a little brain retrace my steps, sometimes I wonder about some records that I understood in my hands and I try to remember how I bought it from where I got them, I discovered a disk a supreme beauty, so I do not remember 'good or maybe I was not ready to listen, I devoured it as if for the first time I listened, it is a disc of solo piano Paul Bley Open to love. A record of 1972, of a modernity 'shocking, they feel the things I've heard in Mehldau recently, a record of a musical sophistication that I can not describe a particular use of reverb that alter the sound of the piano, experimental adventure, pioneer. A description of inner landscapes beautiful, anxieties that become serenity ', sound insights that open onto serene landscapes with a' fundamental disquiet. A nice way to deal with the plan only to Paul Bley a way that has undoubtedly influenced the work of Jarrett, I do not know I find it similar to how I feel, like 'I want to play at this time, I touched the strings deep, bringing out from my reality ', hard to explain, I commend the floor to Paul Bley Open To Love.
(On AiR Paul Bley Open To LovE and Ida Lupino)
One year ago:















a week (enough? I could stay there for more) with your disco I would very gladly.
the music is one of the few things that are never satisfied, ever.
a good day, Master o)
I agree with sahishin. the music fills you do not just do not ever satisfied. fills you up but you're always ready to taste it again ...
I have not read anything by hornby, but I reckon it is now ...
I am convinced that music, like books, call you when they need to talk (when you need to hear). I find that these meetings are wonderful € â € œcasualiâ.
Simple is right; "casual encounters" determined by the soul.
: - *
I like most flores.
but I should listen better. I had taken this right away ... not. pear ² the title is very nice.
@ Sahishin not know if a week is sufficient, nay certainly, cmq to have a good summary of course, thanks to the master
@ Walnut music is never enough, hornby is definitely worth at least high-fidelity, and I 'loved it now I'm rereading :-)
@ Simple, I'm sure they are not random, the fact that at this moment I entered into this record and 'a fact, years ago when I heard I was so impressed', for so many reasons I was very immature as listening more 'looking for other things, and yesterday I' came across and I have felt a kind of magnetism ... :-)
@ PlacidaSignora, meetings 'random' you I'm sure :-)
@ AlbaViola, I think it's natural, Flores uses a language more 'immediate, then I think that album really was communicating all his pain by playing each note as if it were the last and this feels. This disc and 'more' complex, more 'intimate and introverted, should be listened to for a long time, it ushered in efforts to understand it, I realized I had not at first, now that knows' for what strange reason I entered without difficulty' , are really shocked by the wonders that are there, echoes of the music of Bach, the original agreement and the first piece Opentolove 'disturbing any piano can' produce that sound as heck did, wise use of reverberation in the studio, beginning a complex intricate few notes, slow, suffering, and Ida Lupino in the second, the sense of the blues, the real one that of the Mississippi Delta, a true masterpiece of this album, taken from the emotion of listening right now I'd use one of the disks only plane that struck me the most.
Hello :-)
Fab I agree with you, such "meetings" are not random ... they are true and just "calls" to parts of yourself that move in directions tederminate unconscious, do not manifest. Dating therefore inevitable, with the complicity of the path of a propitious time .... time stops abruptly in favor of those calls. A hug
there are dissonances that leaves me out. the other is right on my strings.
buonagiornata
@ Didi welcome back, nice rileggerti around here a hug and I hope your holiday was relaxing :-)
@ Albaviola, already 'dissonances and perhaps' for what this record and 'inside me now, I'm so' dissonant :-)
Hello
This music is also how I feel now, vital, intense, deeply intimate. It's not pain, is listening to something that goes way back, which dates. And 'memory, yes memory is in a lull. Have a great week.
@ Rosenormandia I could not find words more 'suitable, memory and' true something that goes way back, the memory of something intimate, I do not know there 'a sense of loss but not' pain 'true nostalgia, perhaps nostalgia usual infinity ...
Thank you for these words are among the most 'suitable for these notes could imagine.
Greetings to you and good week
Q
Hello Quoyle
I just moved from Walnut ... now I'm here.
You guys filled me with beautiful things: his words, your music ...
A nice return. Thank you.
PS gave me a beautiful CD of Chet Baker with a remastered version of Alone Together. Bill Evans on piano. An astounding beauty.
@ Tina Yeah hello welcome back 'the words of walnut and my music uhmm could compose something together like Livingstone-Evans
Alone together, and 'a piece of magic I love this version with the piano and Evans' wonderful and Bill Evans' up and you know go to the heart of the music, the center of the track.
Hello :-)
Beautiful High Fidelity, I've just read. I loved it is a bitter pà ² here and over there, maybe because he is liked so much!

Too bad this computer can not hear your music, maybe tonight when back home ...
I wish I too find something that could take me out of my current reality ... too bad that not even the music can do that in my case ... pear ² helps them as the words of a dear friend ...
A hug and Quoyle ... thanks :-)
A movie .... black and white, silent, no frills ......
and I would livingstone the seagull?
© why not ...
Freesia is beautiful @ High Fidelity 'I also liked the film even with the license and that you' took the director, did a bit bitter but it was what made him irresistible, but not cynical, bitter, sad but not bitter :-)
@ Phil, the music always works a hug :-)
@ Walnut ... but what vala seagull livingstone maximum Amelia the witch who bewitches .... night goes
@ Rosenormandia, is only the essentials, the soul of music
You ..., I do it with books and comics, as if to remind me what they are ... :) ...
5000 cd??????? damn it.