Cromatische Fantasie und Fugue BWV 903 in D moll

During his stay in Weimar from 1708 to 1717 Bach composed some splendid works, including the powerful chromatic fantasy in d minor BWV 903. A time when Bach will play 'and compose many secular works for organ, with particular attention to the sound check, note that you hear in a decisive manner in the Chromatic Fantasia, both in the version for piano and harpsichord. A magma awesome sound that hypnotizes, which radiates strongly from the notes of fantasy and escape. The music of Bach in some respects and 'awesome, and' as if his music had always existed, and 'as if the tonal system had been created in order to express the genius of Bach, listening to his music and' an experience and that 'essential even for those of Jazz, the Art of the Fugue by Bach and geometrical taste are felt in many contemporary jazz pianists, along with other classical influences, and Jarrett' for example is completely invaded by the art of escape and counterpoint, and 'absolutely incredible that escape completely improvised at the beginning of the concert in Paris and many of his improvisations, even among many classical influences Mehldau has certainly the art of dialogue between the two hands of Bach.

One of the pages more 'exciting and beautiful ever written by Bach's Chromatic Fantasy is precisely this, one is hypnotized, when I start to hear it I can go for hours without being able to stop, kidnapped by the harmony of the spheres, the great divine plan that Bach can be like no other musician has ever succeeded. You hear the harmony of the spheres, the universe is invaded by the mystery of music, the mystery of the origin, and 'an' experience so 'and so complete' all-encompassing listening to this little page of wonder full of sensuality 'and strength.

(On Air Chromatic Fantasia and Fugue in D min BWV 903 Harpsichord and Piano Version)